Reading a book on craft, in which the author said writers love words the way carpenters love wood and naturalists love fauna— the texture, the sound, the rhythm and sometimes, but not always, the sense. That idea filled me with hope. Maybe I am a writer, because I have a little-kid enthusiasm for words, an overweening enthusiasm: indolent, I say to myself, over and over, after hearing about Barbara’s cancer, indolent, seeing lazy predators, sunning on a rock, sullen adolescents. I am driven to sharpen and soften and slice the passages I read, even when I’m reading instruction manuals or cookbooks, loving to touch and fiddle with words as much as some people like to garden or cook. A bad day can be entirely improved by working with somebody on their writing. It never once occurred to me that this might be a clue. All these years looking for proof that I am a writer and not finding it: you are a writer if you write every day. You are a writer if you can’t stop yourself from writing, if stories crowd your head, desperate to get out. You are a writer if you have something important to say. Nope. Nope. Nope. But words. Oh yeah. I definitely got that.

Which books have made me want to write, or read, or just glad to be in the world?
Wonder.
Fault in Our Stars.
Looking for Alaska.
It’s Kind of A Funny Story.
Okay for Now.
Eleanor and Park.

Also:
A Tree Grows in Brooklyn.
Treasure Island.
A Constellation of Vital Phenomena.
The Art of Fielding.

The internet is busy with writers, their opinions on writing, and books, and movies, and girls, and habits, and politics, and some of it is interesting, and some of it is helpful, but it also sets my mind whirling and buzzing at an uncomfortable pitch. The world is chock full of clever multitaskers. I struggle to get my teeth brushed. Other peoples’ opinions make me nervous.

And now, almost everything I read online has the power to make me nervous: how the publishing industry is imploding, or how you need to choose your genre as a writer, or how writing itself is obsolete because of Instagram. I feel like one of those cart horses, hobbled by peripheral vision. I need hoods over my eyes to keep me from startling, to help me plod forward, following the lines in the road.

The lines in the road: be kind to yourself. Keep the goals small and simple. Forgive yourself for not being as slickly perfect as you had hoped.

This morning Kathe said Danny is lucky he was born a man. Danny said everything balances out. I said it didn’t really balance out for slaves. Then we moved into irony. Danny said, it’s a lot harder than you think to be a white male. We made a list of the hardships: getting blamed for everything; having to take responsibility; too many jobs and too much money; always being asked for support and advice.

We dance around the uncomfortable, unspoken truth. Through no fault of your own, you are born a woman, or a person with no legs, or a person of color. In that moment, the odds are set. You get most entitlements for no reason, except the accident of your birth.