I grew up in the South, but so close to New York, one and a half hours by train, that I didn’t even know it. In spite of my ignorance, my early memories feel peculiarly Southern— the high-ceilinged, wide-porched house that belonged to my grandmother, fans spinning lazily overhead, rugs rolled and stored and couches slipcovered with light cotton every summer. In the drowsy, sleep inducing heat, we watching my grandmother drink thimbles of bourbon starting at exactly five, tucked ourselves behind wing-chairs to listen to arguments about family politics, played invented games of chess with the tiny silver boxes on the multi-shelved mahogany display table. My grandmother wore her silver hair in a perfect bubble, had a closet lined with Lilly Pulitzer dresses, shoes in matching colors underneath. We hid between the dresses, trying to find the signature, “Lily,” hidden in the stems, petals, paisley swirls. Everything smelled faintly of gardenias.

Her husband, who died when my father was fourteen, still loomed over the house, his portrait across from the spiral staircase, hands larger than his head, in the distorting perspective they also used for Abraham Lincoln’s memorial. In the kitchen was Brit, a light-skinned African American man who spoke with a faintly British accent, like Carey Grant, wore white gloves when he served hors d’oeuvres and called my father “Mr. Tim.” In the kitchen was Martha, with white hair, watery eyes and milky skin, who came from Ireland when she was fourteen to work for my grandmother, only a few years older and newly married. In the kitchen was Mary, who kept a jar filled with Toll House cookies. We grabbed cookies by the fistful, racing dozens of times a day between the front of the house and the back. The front: finials shaped like pineapples, Corinthian columns, a tall, ticking grandfather clock. The back: watery fluorescent lights, everything painted hospital green.

Martha’s room was on the far side of the kitchen, along with a small sitting area with a portable t.v. that sometimes played, sound off, during parties. She died in her sleep, childless, far from the family she left behind. Mary died not long after, an event marked principally by my grandmother as an inconvenience— no cook ever understood the rules of the kitchen as well, they put their hands too chummily on my grandmother’s shoulders when they greeted her in the morning, suggested crude side dishes like Jello salad, failed to master the art of butter balls. I stood with my hands on either side of the empty glass jar and wondered why Mary died. Her hair, a pale shade of pink, made it hard to guess her age. Only years later did I remember Brit, bent with grief in the sitting area, shoulders shaking, eyes boiled by sorrow.

Last night D. spent an inexplicable amount of energy trying to convince me that the Internet is not a destructive habit, but my way of feeding my creative self. I said, no, it’s not. She argued: lots of writers and artists need to do other things– garden, clean their kitchens– isn’t that where you get your story ideas? I said: no, it isn’t. She said: how do you know it isn’t? I think about my long days, seven in the morning until one or two the following morning, the hours spent avoiding my work, my family, locked in the grip of a problem that won’t be solved, the hours I have added up, trying to imagine how much time I have lost, trying to figure out why I haven’t produced any stories. I say: hundreds of hours. She says, I’m just playing Devil’s advocate. I say, I don’t need a Devil. I need to write.